The Paris Expositions of the 19th and early 20th centuries played a pivotal role in shaping the intersections of art, fashion, industry, and modern consumer culture. This volume critically examines how these practices of exhibiting the world shaped modern visual culture, influencing museum collections, artistic education, and taste formation. As sites of spectacle, the world's fairs accelerated the commercialization of art and fashion, introducing new techniques of mass production and reproduction - from illustrated fashion magazines to department store displays. Far from being neutral arenas of cultural exchange, these fairs thus served as both sites of innovation and instruments of cultural power, linking industrialization, mass consumption, and the aesthetics of modern life.