| Sarah Street is Professor of Film at the University of Bristol, UK. Tim Bergfelder is Professor of Film at the University of Southampton, UK. His many books include Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (2007), Concise Cinegraph: the Encyclopedia of German Cinema (2006), Stars and Stardom in Brazilian Cinema (2018), and The German Cinema Book 2nd Edition (2020). Richard Farmer is Research Associate in the Department of Film and Television at the University of Bristol, UK. His publications include The Food Companions: Cinema and Consumption in Wartime Britain, 1939-45 (2011) and Cinema and Cinema-going in Wartime Britain, 1939-45: The Utility Dream Palace (2016). He co-authored Transformation and Tradition in 1960s British Cinema (2019) and has published many articles on aspects of British film and culture. Eleanor Halsall is Research Associate on STUDIOTEC. Her publications include 'Franz Osten and the history of Indo-German relations' in The German Cinema Book (ed. Bergfelder et al., 2020), 'Kosmopoliten, Nationalisen, Visonäre in Filmblatt (1921/22), and 'Josef Wirsching and The Kreuzer Emden' in Beyond the Silver Screen: Josef Wirsching and an unseen history of Indian cinema (ed. Mukherjee, 2021). Sue Harris is Professor Emerita of Film Studies at Queen Mary University of London, UK. She is the author of Bertrand Blier (2001), An American in Paris (2015), co-author of Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (2007) and co-editor of France in Focus: Film and National Identity (2000) and From Perversion to Purity: The Stardom of Catherine Deneuve (2007). She is a Fellow of the Camargo Foundation, and a Trustee of the UK French Film Festival. Morgan Lefeuvre is Research Associate at STUDIOTEC. She is author of Les Manufactures de nos réves, les studios de cinema français dans les années 30 (2021) and has also published articles on different aspects of the history of French film studios in the 1930s. She was a Research Fellow at La Cinémathèque français in 2010-11 and since 2017 a member of the Collective Creation in Cienma project. Carla Mereu Keating is Research Associate at STUDIOTEC. She is the author of The Politics of Dubbing (2016). Her publications look at the industrial, political and material issues which underpin the circulation of film across language barriers. Catherine O'Rawe is Professor of Italian Film and Culture at Bristol University, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author of Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy (Bloomsbury, 2020), and has published widely on stardom, performance, and audiences. |
