Examines the significance of religion to popular music. This gives an overview of research in the area, and argues that popular songs frequently draw from and "interpret" themes, found in the conceptual and linguistic worlds of the major religions and reveal underlying attitudes in those who compose and consume them.

-One of very few books on religion and popular music
-Covers a wide range of musical styles, from heavy metal and rap to country, jazz and Broadway musicals
-The essays are written by academics and informed by their enthusiasm for the music


Many books have explored the relationship between religion and film, but few have yet examined the significance of religion to popular music. Call Me The Seeker steps into that gap.

Michael Gilmour's introductory essay gives a state-of-the-discipline overview of research in the area. He argues that popular songs frequently draw from and "interpret" themes found in the conceptual and linguistic worlds of the major religions and reveal underlying attitudes in those who compose and consume them. He says these "texts" deserve more serious study. The essays in the book start an on-going conversation in this area, bringing a variety of methodologies to bear on selected artists and topics.

Musical styles covered range from heavy metal and rap to country, jazz, and Broadway musicals.

"Modern-day scholars frequently study the interplay between religion and popular culture, especially comic books, movies, television, and literature; however, one rarely unearths an in-depth study of religion and popular music like this essay collection...[Gilmour's] book is recommended for religious studies collections in larger academic libraries." - Library Journal