Bringing together top specialists in the field, this edited volume challenges the theory that the eighteenth-century British intellectual women known as the Bluestockings were an isolated phenomenon spanning the period from the 1750s through the 1790s. On the contrary, the contributors suggest, the Bluestockings can be conceptualized as belonging to a chain of interconnected networks, taking their origin at a threshold moment in print media and communications development and extending into the present. The collection begins with a definition of the Bluestockings as a social role rather than a fixed group, a movement rather than a static phenomenon, an evolving dynamic reaching into our late-modern era. Essays include a rare transcript of a Bluestocking conversation; new, previously unknown Bluestockings brought to light for the first time; and descriptions of Bluestocking activity in the realms of natural history, arts and crafts, theatre, industry, travel, and international connections. The concluding essay argues that the Blues reimagined and practiced women's work in ways that adapted to and altered the course of modernity, decisively putting a female imprint on economic, social, and cultural modernization. Demonstrating how the role of the Bluestocking has evolved through different historical configurations yet has structurally remained the same, the collection traces the influence of the Blues on the Romantic Period through the nineteenth century and proposes the reinvention of Bluestocking practice in the present.
Challenging the theory that the Bluestockings spanned only the period from the 1750s through the 1790s, this collection argues for a new vision of the Bluestockings as belonging to a chain of interconnected networks that can be traced from the early eighteenth century to the present. The contributors explore the activities of the Bluestockings in a variety of cultural and social realms, trace their influence through the nineteenth century, and propose that Bluestocking practice be reinvented in the present.
"In his useful survey of "bluestocking work" across the long eighteenth century in Bluestockings Now! Kelly differentiates between the Montagu circle and the lesser-known female intellectuals he brings to light by the use of a capital B for the former." - Caroline Franklin, Swansea University, Wales, UK
