In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects - among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers - allegedly erupted into life. These objects appeared animated - they wept, bled, and even walked. Such phenomena posed a challenge to Christians. On the one hand, they sought ever more frequent encounters with miraculous matter and, on the other hand, they turned toward an inward piety that rejected material objects of devotion. By the fifteenth century, these aspirations, accompanied by new anxieties and concerns, were at the heart of religious practice and polemic.
In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they posed to both church authorities and to the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. Bynum also provides a deep analysis of the proliferation of religious art in the later Middle Ages.
Her argument is without precedent: religious art, in this context and time period, called attention to its own materiality in sophisticated ways that explain both the animation of images and the hostility toward them on the part of iconoclasts. Understanding the fourteenth and fifteenth centuries' Christian culture as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to sixteenth-century reformations, both Protestant and Catholic. Moving beyond a cultural study of "the body" - a field she was crucial in establishing - Bynum exposes how Western attitudes toward the body and person must be placed in the context of changing conceptions of matter itself. Christian Materiality is a major contribution to the study and theory of material culture and religious practice.
In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects¿among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers¿allegedly erupted into life by such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounter with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts.
"Caroline Bynum is America's foremost scholar of medieval religion? . [This book] is the distillation of years of learning and accumulated insight, the work of a mature scholar at the height of her powers. It will delight, challenge, and energize her fellow historians. It will also inform, fascinate, and on occasion curdle the blood of the intelligent general reader. And books that achieve that enviable double objective are as rare and precious as the relics of the saints."
